ANDREW TOZER

 

SHOWING WORK BY

(Click on the artist's name to visit their page)

 

ANDREW TOZER

ANDREW WADDINGTON

ANN KELLY

BEN CATT

CAROL O'TOOLE

JEANNE EMERY

JILL HUDSON

LIN WILLIAMS

LUCY TOOP

LYNN GOLDEN

MARIANNE GOLDEN

MARY ALLEN

MIKE HINDLE

NEIL DAVIES

NEIL PINKETT

PAUL LEWIN

PETER SAYER

PHILIP LYONS

PHILIP TRAVERS

SARA CLASPER

SUE LEWINGTON

TONY FORREST

VICTORIA SMITH

 

SCULPTURE BY

REECE INGRAM

WILLIAM CRAMER

 

CRAFT WORK BY:

ELINOR LAMOND

HOWARD MOODY

JANE SUCHODOLSKI

SHELAGH SPEAR

 

 

Please contact the gallery to enquire about more work currently in stock.

 

Summer Sailing Towards St Mawes  acrylic 93 x 73cm  £Sold

 

Hot August Sun acrylic 77 x 60cm  £Sold

 

Summer Morning St Mawes acrylic 120 x 100cm  £Sold

 

Rainy Day Penzance (Tribute to Norman Garstin) SOLD

 

Portscatho Boats SOLD

BIOGRAPHY

 

Andrew Tozer was born in Cornwall in 1974 and initially studied art at Falmouth School of Art and Design. He followed this with a First Class Hons Degree in Illustration at the University of Westminster, and then went on to take a Post Graduate Diploma in Communications Design at Central St Martin’s School of Art and Design.

Andrew is a well-established Cornish artist whose work is much collected. His subjects are predominantly local landscapes and seascapes, approached in a contemporary style which is reminiscent of Impressionist paintings but very much his own.

Andrew said: “I’ve learned a lot about painting outside from the Impressionists, but I’m as much influenced by modern painters such as Richard Diebenkorn and Giorgio Morandi. Most of all I want my works to feel vital, contemporary and my own.”

Andrew uses a subtle palette, and characteristically makes use of atmospheric light and unusual colours. Scenes are immediately recognisable, and because he paints en plein air, have an immediacy and vitality about them.

He said: “First and foremost I paint outdoors, on the spot in oil and acrylic. I believe that this method of working gives the most authentic results - it is as if a piece of the day has been seized, a lasting impression of it has been recorded.

"I am not obsessive about starting and finishing all of the painting in-situ, although this does happen on many occasions.

"Throughout the history of painting, artists have relied upon preliminary drawings, colour studies (watercolours, oil sketches or pastels) and more recently photography to compose their works, and to ultimately achieve their initial aims. It could be said that my working process is an organic one, incorporating and utilising all of these methods.

“I think that over the past four or five years my visual memory has become more adept and I am gradually building a good collection of sketchbooks and colour studies to help in the production of future work.

"I want to be able to produce paintings that have authenticity about them. Most of all, I want them to reflect my surroundings in a truthful and simple way.”

 

The Harbour Gallery

8a The Quay Portscatho Cornwall TR2 5HF

01872 580807   

www.theharbourgallery.co.uk      email tony@theharbourgallery.co.uk     © 2009